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Cubitt

Cubitt Gallery and Studios

about: 

Cubitt is an artist-run gallery and studio provider based in Islington. We are an independent organisation managed by our members: a community of over 30 artists dedicated to nurturing and supporting emerging practice in the visual arts. Over twenty years we have grown as unique hub for international developments in contemporary visual culture: providing essential opportunities for artists and curators to expand their practice critically at an early stage in their careers; whilst enriching the lives of countless audience members and thousands of local people through meaningful and responsive engagement. With the creative freedom and community of the studio at its heart, Cubitt is a multi-layered; richly resourced yet incredibly cost-effective; democratic beacon for outstanding art.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • charity

how is/was it funded ?: 

address: 

8 Angel Mews
N1 9HH London 51° 31' 56.0496" N, 0° 6' 27.2628" W
GB

usage: 

number of studios: 

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types of studios: 

  • private

established: 

1995

last known status of the project: 

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S1 Artspace

about: 

S1 Artspace is an artist-led organisation presenting an annual programme of contemporary exhibitions, commissions, screenings and events. S1 also provides studio space for contemporary artists at varying stages in their careers, from recent graduates to established artists working at an international level.

Founded in 1995 by a group of Sheffield-based artists seeking to create a sustainable studio environment in Sheffield City Centre, S1 Artspace has become a nationally recognised organisation, renowned for providing a platform for experimentation and for supporting the development of new work in a wide variety of media through artists’ residencies, commissions, and an annual studio holders’ exhibition. Over its sixteen year history, S1 Artspace has presented work by over 300 artists and accommodated over 100 artists.

In 2010, S1 Artspace moved to new larger premises to support a growing commitment to its international exhibition programme.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • charity

how is/was it funded ?: 

address: 

120 Trafalgar Street
S1 4JT Sheffield 53° 22' 40.4328" N, 1° 28' 32.0124" W
GB

usage: 

previous usage of the site: 

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types of studios: 

  • private

established: 

1995

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Outpost

about: 

OUTPOST is an artist run gallery based in Norwich committed to the uncompromising presentation of contemporary art. A core programme of 11 exhibitions per year, each opening on the 1st of the month, 6 - 9pm and run from the 2nd to 21st of the month, 12 - 6pm (no exhibition in January). A programme of events and offsite projects runs alongside.

A membership scheme is operated and is vital to OUTPOST’s activity. Artist Members are encouraged to submit material to the Members Archive; a source from which exhibitions can be selected and independent curators can use as a resource. Membership costs £15 per year, a days invigilation can be provided in lieu of payment. Membership support for OUTPOST is invaluable, extending beyond the financial and ensuring that a credible context for contemporary art in Norwich is recognised and sustained. A committee of up to 8 members run the gallery with a limit of two years service each to ensure that selection and organisational processes remain fresh. OUTPOST was founded in November 2004 with financial support form Arts Council England East, Norfolk County Council, Norwich City Council and Norwich Gallery.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • charity

how is/was it funded ?: 

address: 

10b Wensum Street
NR3 1HR Norwich , NFK 52° 37' 54.6204" N, 1° 17' 53.0448" E
GB

usage: 

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types of studios: 

  • private

established: 

2004

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The Royal Standard

about: 

Through a dynamic and challenging gallery programme that brings together local, national and international artists, we aim to showcase the most exciting, innovative exhibitions and events that we can, working with the most outstanding recent graduates and emerging artists as well as more established practitioners and other artist-led initiatives.

The Royal Standard is dedicated to promoting exchange, dialogue and experimentation, providing a supportive and critically engaged environment to work in, and acting as a social hub for our studio membership of over 40 artists, as well as the wider cultural community. Our multi-purpose project space offers a testing ground for artists to push their ideas in new directions, and a setting for more spontaneous events and activity happening independently to the main gallery programme.

The Royal Standard was established in 2006 by four Liverpool-based artists in response to the need for a new artist-led organisation that would operate somewhere in between the city’s grass-roots DIY initiatives and the more established arts institutions. Originally housed in a former pub in Toxteth, in 2008 The Royal Standard undertook an ambitious relocation and expansion into a larger industrial space on the Northern periphery of the city centre, relaunching to acclaim for the 2008 Liverpool Biennial.

The Royal Standard is currently run by a team of four to six directors, with a new team appointed on a two-year rolling basis, enabling the organisation’s ideas and energy to remain fresh and continuing to offer opportunities to new groups of emerging artists.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • other

how is/was it funded ?: 

address: 

131 Vauxhall Road Unit 3, Vauxhall Business Centre
L3 6BN Liverpool 53° 24' 51.858" N, 2° 59' 24" W
GB

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types of studios: 

  • private

established: 

2006

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The Lombard Method

about: 

The Lombard Method is an artist-led studio and project space in Birmingham inaugurated in 2009. The Lombard Method aims to develop the individual practices of its members through critical dialogue, group interaction, and engagement with a programme of residencies, exhibitions and events held in our project spaces.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • other

how is/was it funded ?: 

address: 

68a Lombard Street
B12 0QR Birmingham 52° 28' 18.2784" N, 1° 53' 10.6368" W
GB

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number of studios: 

number of exhibition/project spaces: 

types of studios: 

  • private

established: 

2009

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Grand Union

about: 

Grand Union is a gallery and studios located in Digbeth, Birmingham’s cultural quarter.

We support the development of artists and curators through the provision of high quality workspaces and an ambitious programme of free exhibitions, talks and events.

Run by a small group of artists and curators, Grand Union is part of a growing artistic community with the production of new art and ideas at its heart.

Founders:
Helen Brown, Ian England, Joanna Essen, Mark Essen, Reuben Henry, Cheryl Jones, Harminder Judge, Karin Kihlberg, Feng-Ru Lee, Charlie Levine,
Alexandra Lockett, David Miller, David Thomas, Matt Westbrook, Stuart Whipps

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • community interest company

how is/was it funded ?: 

address: 

Minerva Works
158 Fazeley St
B5 5RS Birmingham 52° 28' 44.7456" N, 1° 52' 58.5516" W
GB

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number of studios: 

number of exhibition/project spaces: 

types of studios: 

  • private

established: 

2010

last known status of the project: 

last known status of the site: 

Meter Room

about: 

Founded in February 2011, Meter Room is a not-for-profit artist-run organisation located in ‘void’ City Council offices in the centre of Coventry.

Meter Room comprises of a 1400 square feet project space and 7 adjoining low-cost artist studios that are centrally located, secure, and provide 24 hour access.

Meter Room is dedicated to supporting the creation of new experimental work by artists and curators through a series of residencies and projects that respond to its function as a site of art production and dissemination.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • other

how is/was it funded ?: 

address: 

58-64 Corporation Street
CV11GF Coventry 52° 24' 34.7004" N, 1° 30' 47.2068" W
GB

total size in sqm/sqft: 

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types of studios: 

  • private

established: 

2011

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Moot

about: 

da da

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • other

how is/was it funded ?: 

address: 

1 Thoresby Street
NG1 1AJ Nottingham 52° 57' 2.8836" N, 1° 8' 8.952" W
GB

usage: 

number of exhibition/project spaces: 

established: 

2005

vacated: 

2010

last known status of the project: 

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The Old Police Station

The Old Police Station front door and logo, temporarycontemporary

about: 

The Old Police Station is an open-ended curatorial proposal. Started in Feb 2009, the 'do-it-yourself art centre' is an occupational infrastructure, an experimental model both as a architectural support structure but also economically. Sustained by studio rental income, it does not receive core funding. It is a charitable social hub for an emerging location exploring and broadcasting artistic concepts of all kinds, encouraging participation in all media. The project is created by Anthony Gross, from the curatorial partnership temporarycontemporary (www.tempcontemp.co.uk) that ultimately explored the idea of exhibition as Social Club. The 'do-it-yourself' art centre concept is intended by Gross as a nomadic approach that can be applied to different contexts.
The building is occupied by the studio charity reg 1123395 that has been providing artist studios since 2006.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • charity

how is/was it funded ?: 

address: 

The Old Police Station - Artist studios and exhibition spaces
114 Amersham Vale New Cross
SE14 6LG London 51° 28' 45.8724" N, 0° 1' 55.3152" W
GB

usage: 

previous usage of the site: 

number of studios: 

types of studios: 

  • private

established: 

2009

last known status of the project: 

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Dilston Studio

Dilston Grove, Concrete Quarterly, 1974, Church into Studio (photo: Trevor Jones)

about: 

Dilston Grove, the name of a sleepy back road in the southwest corner of Southwark Park, London SE16 also marks the focal point at one end of the street, a building of concrete construction built and blessed as Clare College Mission Church in 1911. The iconic cross, perched on the roof, denotes the building's former use; its continued presence maintains a symbolic reference to its role as a sanctuary for an ever changing flock.

The history and meaning of the building was reshaped in 1969 by a group of artists, graduates from the Royal College of Art, who shared the inner sanctuary as a studio/workshop. With the metamorphosis of ‘church into studio’ came the renaming of the building to Dilston Studio. The interior became a lofty, empty, rectangular shell, an open work space for several artists though ‘there are a few clues as to its previous use - a raised area at the north end where the altar used to be, a balcony where the organist once sat....’

In 1978 the local authority had other plans for the building and the artists vacated. For the following twenty-one years the future of Dilston Studio remained in the balance; pigeons took vacant possession. In 1999 the Bermondsey Artists' Group resumed the artistic link with the 70s securing a short lease from Southwark Council for the Café Gallery. Dilston Studio has now become known as Dilston Grove.

from: 'Artists in East London'
online available at: www.acme.org.uk/download.php?pdf=149
(accessed September 2013)

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • unincorporated organisation

how is/was it funded ?: 

history of the site: 

Dilston Grove is the former Clare College Mission Church on the Southwest corner of Southwark Park and is Grade II listed. Designed by architects Sir John Simpson and Maxwell Ayrton, it was built in 1911 and is one of the earliest examples of poured concrete construction.

address: 

Southwark Park Abbeyfield Rd
SE16 London 51° 29' 30.4836" N, 0° 3' 15.8724" W
GB

usage: 

previous usage of the site: 

number of studios: 

types of studios: 

  • open plan, private

established: 

1969

vacated: 

1978

last known status of the project: 

last known status of the site: 

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