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RAUMX LOndon

RAUMX- London

about: 

From mid 2013 Martina Geccelli has set up this art and architecture project space within her own studio in Kentish Town, London.

Part of the concept is that selected artists, or architects can introduce their work to a smaller, interested audience . RAUMX provides an open, intimate platform, outside of the commercial setting of a gallery. Beside presenting work to the public the space offers opportunities for an active exchange in form of talks and discussions and more intimate gatherings.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • other

how is/was it funded ?: 

address: 

London Kentish Town
185 Queens Crescent
NW5 4DS London 51° 33' 2.6604" N, 0° 9' 0.7956" W
GB

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types of studios: 

  • private

established: 

2013

vacated: 

2013

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Embassy

about: 

EMBASSY is a non-profit making artist-run gallery founded in 2004. The gallery holds a yearly programme of exhibitions and events and exhibits at off site projects. Each year we also co-ordinate the Annuale festival; a presentation of grassroots artistic activity in various venues throughout the city.

The gallery co-ordinates and presents a professional development programme for students at Edinburgh College of Art in return for some funding towards the gallery’s core costs.

EMBASSY has also received funding from the Scottish Arts Council, ECA Trustees and the Young Scot Award.

EMBASSY has a rolling committee of 5 to 7 members who work on a voluntary basis and are supported by a members base. The committee are responsible for all aspects of the gallery and serve as directors for a 2 year period.

The originating committee comprised of Kim Coleman, Craig Coulthard, Tommy Grace, Jenny Hogarth, Dave Maclean, Kate Owens and Catherine Stafford. They were replaced entirely by John Farrugia, Deborah Jackson, Katie Orton, Debjani Banerjee, and Dan Brown.

After this the EMBASSY committee became less defined and since 2007 has included Angela Beck, Luke Cooke-Yarborough, Benjamin Fallon, Martine Foltier-Pugh, Tessa Lynch, Alexa Hare, John A. Harrington, Shona Handley, Oliver Herbert, Norman James Hogg, Shona Macnaughton, Laurie Macpherson, Francesca Nobilucci, James Thomas Philips, Ashleigh Reid, Jenny Richards and Daniella Watson, with directors working from 2 Months to 2 years.

how is/was it run/structured ?: 

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  • charity

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address: 

10b Broughton Street Lane
EH1 3LY Edinburgh 55° 57' 26.8452" N, 3° 11' 15.0072" W
GB

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established: 

2004

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Central---Reservation

Central --- Reservation, Bristol

about: 

Central—Reservation was a temporary project space in Bristol, UK dedicated to the support, production and presentation of contemporary visual arts.

Between March and July 2010, Central—Reservation presented a programme of exhibitions, events and collaborative projects with a backdrop of production in the four studio residencies.
Central—Reservation offered artists and curators the opportunity to present ambitious projects, making use of the current surplus of empty commercial property.
Alongside the core programme, Central—Reservation invited artist led and independent groups from across the UK to propose exhibitions and events to put on in the space.

The former motorcycle showroom is located on Stokes Croft, a main access route into central Bristol. It offered 10,000 sq ft of exhibition and event space over two floors, plus partitioned workspaces for resident artists to test and document work.

Central—Reservation was established by Lucy Drane, Hannah James and Jane Porter, an independent group, each working within key arts organisations in the city. The project developed through their mutual membership of the Spike Island Associates Programme and a shared interest in realising a dynamic new project space in Bristol.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • unincorporated organisation

how is/was it funded ?: 

history of the site: 

Motorcycle showroom

address: 

15 – 19 Stokes Croft
BS1 3PY Bristol 51° 27' 39.9204" N, 2° 35' 27.1464" W
GB

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established: 

2010

vacated: 

2010

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Generator Projects

about: 

Generator is a Dundee-based organisation established in 1996. The aims of the organisation are to generate creative practices across Dundee through providing sustained support towards creativity in all its diversity and a varied programme of exhibitions and events.

Alongside the primary aim of being collectively held by those who wish to engage and support the continuation of the organisation, Generator hosts a project and exhibition space better known as Generator Projects. This space was established to allow creative practitioners, developing experimental, critical and autonomous work, the opportunity to exhibit. It is facilitated by the Generator committee, a rolling collective of volunteers, who dedicate two years of their time to ensure the continuation of this programmed space and the broader aspects of the organisation.

Generator Projects is also home to the developing Member Space. Initiated during the 2013 Member Show, this hospitable space is being created for dedicated member-led activity. The space will continue to be developed over the coming year in response to the voiced needs of Generator members. This could include access to resources and a neutral space for peer-learning and critical discourse through the programming of responsive talks, events and artworks to the Generator programme and wider interests and concerns of the Generator members.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • charity

how is/was it funded ?: 

address: 

25/26 Mid Wynd Industrial Estate
DD1 4JG. Dundee 56° 27' 24.426" N, 2° 59' 19.9176" W
GB

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established: 

1996

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Rhubaba

about: 

Rhubaba Gallery and Studio is an artist-run organisation in Edinburgh that provides studio space for currently nineteen artists and an annual programme of exhibitions and events.

Rhubaba was founded in 2009 as a communal studio and project space. Established in response to a perceived gap in appropriate studio provision for recent graduates and through the desire to create a space dedicated to both the production and presentation of contemporary art, Rhubaba initially housed ten recent graduates from Edinburgh College of Art. During our first year we organised a series of exhibitions in temporary spaces around the city as well as with host venues further afield.

Rhubaba has continued to develop the programme and moved to Leith in 2010 to accommodate more studios and a permanent gallery space.

We are committed to generating a supportive workspace and a dynamic platform for local and international artists. Rhubaba aims to give early-career artists the opportunity to produce new work in a discursive environment, work collaboratively with other artist-led initiatives and explore wider debates in contemporary art, bringing exciting and challenging works to Scotland.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • community interest company

how is/was it funded ?: 

exhibitions, events, workshops: 

Exhibitions include solo-shows by Ed Atkins, James Clarkson and Hannah James; groups shows and events with works by Nathalie De-Briey, Patrick Graf, Alex Gross, Rebecca Kressley, Ewan Sinclair, and collaborative projects with David Dale Gallery and Studios, Glasgow, Central Reservation, Bristol, Duchy Gallery, Glasgow, Intercity Mainline, London, Lombard Method, Birmingham and Outpost Gallery, Norwich.

address: 

25 Arthur Street
EH6 5DA Edinburgh 55° 57' 55.3104" N, 3° 10' 38.046" W
GB

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established: 

2009

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KARST

Karst Gallery, Plymouth

about: 

KARST is a non-profit, artist-led initiative in Plymouth focused on providing studio space and the exposure of international contemporary arts, offering innovative curatorial projects a test-bed for gallery presentation. KARST was founded in 2012 and functions as a venue for contemporary arts through selected and guest-curated projects working with partner organisations, collaborative groups and individuals.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • community interest company

how is/was it funded ?: 

exhibitions, events, workshops: 

05.12.13 - 08.12.13

NOAH ANGELL

CRYING IN THE ETHNOGRAPHIC FIELD RECORDING : Lecture / Performance / Sound Work:
&
EXHIBITION : FILMS: 2006 - 2012 Showing: Oratory of a Ghost Director, Meditations on Violence, Singing of the birds, Slow Airs, Nocturne, Private Email to God, Each Dawn I Die, Morteau.

31.10.13 - 17.11.13

'SS BLUE JACKET'
Curated by Simon Bayliss and Lucy Stein

ARTISTS: BERYL COOK, PETER LANYON, SHANA MOULTON, EDWARD STEIN, LUCY STEIN, MERLIN JAMES, ROBERT LENKIEWICZ, SIMON BAYLISS, SIMON FUJIWARA

03.10.13 - 20.10.13

'Jeongmoon Choi : Explorer'

15.06.13 - 21.07.13

'INDIVIDUAL ORDER'
CURATED BY: Marianna Garin
ARTISTS: FRANCIS ALŸS, CARLOS BUNGA, GRACIELA CARNEVALE, KAROLINA ERLINGSSON, JIRÍ KOVANDA, MAIDER LOPEZ, ADRIAN PIPER

14.03.13 - 29.03.13

'MEMEX : An Autoscopic Exercise'
BRISTOL DIVING SCHOOL & THIRD BELGRADE

12.01.13 - 03.03.13

'LEGACY: Five Schemes, First Variation'
CURATED BY: Carl Slater
ARTISTS: GWENAËL BÉLANGER / BLUE CURRY / KAREN HENDERSON / JAMES McLARDY / RICHARD STONE

08.10.12 - 04.11.12

'TECHNICOLOUR YAWN'
CURATED BY: Nadim Samman
ARTISTS: STEVE BISHOP / ED FORNIELES / JAMES HOWARD / SHANA MOULTON / RYAN TRECARTIN

23.08.12 - 23.09.12

'MULTIPLE CHOICES'
ARTISTS: RICARDO BASBAUM / ANE HJORT GUTTU / MIHO SHIMIZU & OYVIND RENBERG (DANGER MUSEUM) / KATYA SANDER / ALEX VILLAR

22.06.12 - 15.07.12

'SPACEINVADER'
ARTISTS: KONSORTIUM: LARS BREUER / SEBASTIAN FREYTAG / GUIDO MÜNCH

address: 

22 George Place Stonehouse
PL13NY Plymouth 50° 22' 7.4496" N, 4° 9' 25.3656" W
GB

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established: 

2012

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Limbo

about: 

Limbo is an artist-led organisation based at the former electrical substation off Margate's High Street.

Limbo was set-up to create a resource supporting cultural development and experimentation in Thanet and beyond; providing affordable artist studios a gallery/project space and a programme of exhibitions, artist residencies, events and off-site projects.

Through its projects Limbo aims to create new points of reference or entry, through which challenging and unfamiliar ideas and methodologies can be experienced and discussed.

The project space at the Substation is the focal point for Limbo’s exhibition programme. It appears to be in transition: gallery lighting and whitened walls contrast with the imposing industrial structure of the room, where the transformers, rectifiers and switchgear once stood. Limbo takes inspiration from this aesthetic, aiming to bring different histories and practices together in one place.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • community interest company

how is/was it funded ?: 

history of the site: 

The Substation is centrally located in Margate, just off the High Street and a two-minute walk from the harbour. Margate is on the North East coast of Kent and just a two-hour ferry ride from France.

The building dates back to 1849, when it was apparently erected and functioning as coach house, stables, wash house and storehouse for Thomson and Son Brewers. In 1902 the property was sold for a mere £1,598.2s.9d to the Isle of Thanet Electric Tramways and Lighting Company and became part of a significant social and economic change, providing communication in the form of light, power and traction. High voltage alternating current from the generating station at nearby St Peters was passed through a series of step-down transformers and finally converted to DC using mercury arc rectifiers. This direct current was used to power an extended tramline and to provide lighting and domestic electricity for parts of Margate.

Use of DC for domestic consumers was unusual and potentially dangerous, but this spare capacity brought early access to electric power to the population of Margate. During the night the generators were shut down and a massive bank of batteries with “265 Tudor Cells” provided power for the early morning and late night trams, as well as for domestic lighting (the generators at St Peters were also shut down overnight). This arrangement lasted into the 1920s when demand for domestic and industrial power at night became too great. When the tramlines were finally closed down in the late 1930s the Substation continued to provide DC power to Dreamland amusement park until it converted to AC in the 1970s.

The substation equipment now sits outside at the front of the building in the space previously occupied by a lean-to veranda.

address: 

Substation Project Space
2 Bilton Square High Street
CT9 1EE Margate 51° 23' 19.6476" N, 1° 22' 51.1932" E
GB

total size in sqm/sqft: 

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types of studios: 

  • private

established: 

2006

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Crate

Crate Space, Margate

about: 

Crate is an artist-led organisation based in East Kent supporting contemporary visual artists’ research and practice. Crate promotes critical debate and the exchange of ideas without prescribed outcomes.
Based in an old print works near the sea front in Margate, Crate’s building has been bought and refurbished with major support from Arts Council England South East, East Kent Partnership and Thanet District Council. The building opened in July 2006.

The building combines working and project space and is designed to give artists access to dedicated, affordable space for experimentation, production, documentation and research. There are three floors of studios, and two project spaces on the ground floor. The project spaces are available for short-term use by practitioners, alongside a programme initiated by Crate.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • charity

how is/was it funded ?: 

history of the site: 

Print Works

address: 

1 Bilton Square
CT9 1EE Margate 51° 23' 17.7072" N, 1° 22' 50.412" E
GB

total size in sqm/sqft: 

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number of exhibition/project spaces: 

types of studios: 

  • open plan

established: 

2006

last known status of the project: 

last known status of the site: 

Two Queens

about: 

Two Queens ,based in a former city centre Cash & Carry, is the collaboration of Vanilla Galleries and CUSP, two Leicester based groups of artists.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • other

how is/was it funded ?: 

history of the site: 

previously a Cash & Carry

address: 

2 Queen Street
LE1 1QW Leicester 52° 38' 5.7192" N, 1° 7' 31.8972" W
GB

usage: 

previous usage of the site: 

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number of exhibition/project spaces: 

types of studios: 

  • open plan, private

established: 

2012

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Aid & Abet

Aid & Abet Gallery, Cambridge

about: 

Aid & Abet is an artist-led contemporary art space which supports artists to experiment, take risks and innovate as well as collaborate, engage and network.
Situated close to Cambridge Station in a former railway workshop, Aid & Abet is a production and presentation site for contemporary art that combines work, project, gallery and performance space allowing audiences and participants to engage with cross-disciplinary practices in both creative and critical ways.

how is/was it run/structured ?: 

what is/was it's legal status ?: 

  • other

how is/was it funded ?: 

address: 

Station Road
CB1 2TZ Cambridge 52° 11' 41.2872" N, 0° 8' 14.2296" E
GB

usage: 

previous usage of the site: 

number of exhibition/project spaces: 

types of studios: 

  • open plan

established: 

2011

last known status of the project: 

last known status of the site: 

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